Making a film about climate change is difficult, especially if you want it to reach a wide audience. One problem is the long time scale of climate change, which fits badly with the time scale of a typical film narrative. That was the reason why in the Hollywood blockbuster The Day After Tomorrow some laws of physics were treated with a certain artistic freedom, in order to present a dramatic climate change within a few weeks instead of decades.
Mike and I have spent the last few days at a very interesting workshop in Iceland, where climate scientists, social scientists and filmmakers were brought together in conjunction with the Reykjavik International Film Festival. I will make no attempt to reproduce the many exciting discussions which we had, that often continued into the night. Instead, I’d like to present two short films by workshop participants. I chose a contrast of hot and cold.
First, the cold. The following film is a trailer by Phil Coates, a British filmmaker and expedition leader, who has filmed in extreme conditions on all seven continents. It is a “work in progress” under the working title “North Pole Living on Thin Ice”. Coates was dropped off with three scientists on the sea ice near the North Pole. On foot out on the Arctic Ocean they made oceanographic and ice thickness measurements. Soon you will be able to experience this research expedition on film. The scientific findings of the team will of course come out in the scientific literature.
Now, the heat. Peter Sinclair is a cartoonist from the US Midwest. Some years ago, out of anger over the aggressive disinformation campaign of climate deniers (he prefers this term), he started his now well-known video series “Climate Denial Crock of the Week”. Sinclair now also produces the film series, “This is Not Cool” for the renowned Yale Forum on Climate Change and the Media , and has made more than a hundred short films on climate issues. The following short film “Welcome to the Rest of Our Lives” was created in summer 2012 after the record heat wave in the United States. By his own admission, when he had finished it his film brought himself to tears.